Laura Waller: Close In

Works
  • Laura Waller, Rock City Trumpeteer
    Laura Waller, Rock City Trumpeteer
  • Laura Waller Zelda Oil on linen 24 x 24 in 61 x 61 cm
    Laura Waller
    Zelda
    Oil on linen
    24 x 24 in
    61 x 61 cm
  • Laura Waller, Buttermilk Forest
    Laura Waller, Buttermilk Forest
  • Laura Waller, The Depth Of the Daffodil
    Laura Waller, The Depth Of the Daffodil
  • Laura Waller The Future Looks Brighter Oil on linen 48 x 36 in 121.9 x 91.4 cm
    Laura Waller
    The Future Looks Brighter
    Oil on linen
    48 x 36 in
    121.9 x 91.4 cm
  • Laura Waller Monhegan Banquet Oil on linen 40 x 40 in 101.6 x 101.6 cm
    Laura Waller
    Monhegan Banquet
    Oil on linen
    40 x 40 in
    101.6 x 101.6 cm
  • Laura Waller Jack Oil on linen 20 x 24 in 50.8 x 61 cm
  • Laura Waller Lobster No. 1 Oil on linen 28 x 22 in 71.1 x 55.9 cm
    Laura Waller
    Lobster No. 1
    Oil on linen
    28 x 22 in
    71.1 x 55.9 cm
  • Laura Waller, To Life No. 2
    Laura Waller, To Life No. 2
  • Laura Waller, To Life No. 1
    Laura Waller, To Life No. 1
  • Laura Waller, 50th Street Midtown
    Laura Waller, 50th Street Midtown
  • Laura Waller, Radio City Music Hall, NYC No. 1
    Laura Waller, Radio City Music Hall, NYC No. 1
  • Laura Waller New York City, Abstracted No. 2 Oil on linen 48 x 36 in 121.9 x 91.4 cm
    Laura Waller
    New York City, Abstracted No. 2
    Oil on linen
    48 x 36 in
    121.9 x 91.4 cm
Installation Views
Overview

Artist Statement


My work as a studio painter is focused on capturing the ordinary and the commonplace which often escape the eye – unnoticed or underappreciated. Coming from a working-class family, I am interested in the work environment and architectural elements I find there, which range from vessels in shipyards and ports, equipment and buildings at an industrial site, and urban scenes involving cranes and skyscrapers.

 

In addition, the subject matter for my paintings ranges from the massive to the minuscule and is found close to home or during my travels. I find power in unusual perspectives and angles that might stir the viewer’s sense of order. I see beauty in the time-worn surfaces of a ship, an historic landmark, a person showing evidence of age or individual life struggles, or even a striking, somewhat abstract, artful plate of food, all of which speak to universal and everyday issues of time and place.

 

My use of color plays a key role. I am interested in how natural light in the northeast differs from Florida’s sunlight and how shapes and colors are perceived. Because I am interested in referencing but not representing reality, the work often edges toward abstraction.